Mostrando postagens com marcador empty words. Mostrar todas as postagens
Mostrando postagens com marcador empty words. Mostrar todas as postagens

domingo, 10 de julho de 2011

Chuck's Mom Offers Very Last Personal Death Merchandise For The Time Being

Chuck Schuldiner (1967 - forever)

From: Empty Words

Hello fans,

There has been a lot of request for shirts, especially more Philosopher. And I found a few more of those. I am moving out of state the end of July so want to have them sold well before then. I will order more and continue when I get settled there.

1) Philosopher shirts, 3 medium and 1 large.
2) One medium and one large black shirt with picture of Chuck playing guitar on front.
3) Two large Leprosy shirts, black with Death logo on back and album picture on front.
4) I have 2 of the original Control Denied shirts Chuck had designed and had made himself, both medium, black with Control Denied logo only on the front. He was going to offer this design himself, but as we know that was not to be. I found these in his closet in 2002, I am saving one for myself and offering the other two.
5) One gray Let The Metal Flow on back in red, Death logo in front in red, size large.
6) I have one hoodie - Death logo and Perseverance album cover on the back in red, and a small Death logo on the left front, size large.
7) One hoodie with the Death logo on the front in black and silver.
8) One medium black shirt with Death Logo on the front and the the words The Sound Of Perseverance across the back.

I also found some vinyl records, email me if interested.

All shirts are 15$ and the hoodies are 25$ all in US funds. Western Union or a US money order are good ways to pay. Contact me for postage costs at njbschuldiner@yahoo.com. Please send orders me at my home address, not the PO box number.

Thank you,

Jane Schuldiner
646 E Amelia Street
Orlando, Florida
32803

quarta-feira, 22 de junho de 2011

CONTROL DENIED: Breaking The Broken Video Revealed

Control Denied: Breaking the Broken video strengthens Chuck's legacy

From Empty Words

The video for CONTROL DENIED's “Breaking the Broken” was directed by Doug Cook and produced by DEATH manager Eric Greif for Perseverance Holdings Ltd., the company that oversees the works of Chuck Schuldiner. “Breaking the Broken” comes from CONTROL DENIED’s debut album The Fragile Art of Existence which recently received the deluxe re-issue treatment, courtesy of Relapse Records, including a limited edition 3-disc set that includes 2 discs of previously unreleased bonus material. The agreed concept behind the video is easily summed up: it is about overcoming adversity and persevering, with some symbolism that will not be lost on diehard fans. It is an emotional journey, and it will be continued...


"Breaking The Broken" by Control Denied from Doug Cook on Vimeo.


DEATH in HD


quarta-feira, 15 de junho de 2011

Empty Words News

Remembering Chuck

DEATH - Unreleased Human Rehearsal Track Streaming Online At BraveWords.com

BraveWords.com is exclusively streaming a classic DEATH track from the upcoming 20th anniversary reissue of Human; rehearsal footage of 'Together As One' from 1990!

Hear the track at this location.

Extreme Metal Television Covers Chuck Schuldiner Birthday Bash; Interviews With Former DEATH Manager Eric Greif, CYNIC, INTO ETERNITY

From BraveWords: A Chuck Schuldiner Birthday Bash was held on Friday, May 13th at The Distillery in Calgary, Alberta to celebrate what would have been DEATH/CONTROL DENIED legend's 44th birthday. Extreme Metal Television covered the event and spoke with Eric Greif, Esq. (President of Perseverance Holdings Ltd. which runs everything related to Chuck Schuldiner's intellectual property) and some of the bands that took part in the event including CYNIC, INTO ETERNITY, DIVINITY, REVEREND KILL, DEATH TOLL RISING, HAMMERDRONE and MEGAWATT MAYHEM.

Check out the report here.

terça-feira, 24 de maio de 2011

Human Deluxe 3CD Tracklisting Revealed and Human Track Posted Online

Paul Masvidal and Chuck Schuldiner - Human Era

From Empty Words

The complete track listing of songs included in the three-disc set can be found below. This special re-issue package is available June 21st via Relapse.com exclusively with pre-orders being accepted now.

Disc 1: (classic re-mastered Human album)

1. Flattening Of Emotions
2. Suicide Machine
3. Together As One
4. Secret Face
5. Lack Of Comprehension
6. See Through Dreams
7. Cosmic Sea
8. Vacant Planets
9. God Of Thunder (Bonus Track)

Disc 2:

10. Flattening Of Emotions (Basic Instrumental Studio Tracks)
11. Suicide Machine (Basic Instrumental Studio Tracks)
12. Together As One (Basic Instrumental Studio Tracks)
13. Secret Face (Basic Instrumental Studio Tracks)
14. Secret Face - Part 2 (Basic Instrumental Studio Tracks)
15. Lack Of Comprehension (Basic Instrumental Studio Tracks)
16. "Felt Good" - Studio Snippet
17. See Through Dreams (Basic Instrumental Studio Tracks)
18. See Through Dreams - Part 2 (Basic Instrumental Studio Tracks)
19. Vacant Planets (Basic Instrumental Studio Tracks)
20. Cosmic Sea (Basic Instrumental Studio Tracks)
21. Cosmic Sea Part 2 (Basic Instrumental Studio Tracks)
22. God Of Thunder (Basic Instrumental Studio Tracks)
23. Flattening Of Emotions (Human Demos)
24. Lack Of Comprehension (Human Demos)
25. Suicide Machine (Human Demos)
26. Together As One (Human Demos)
27. See Through Dreams (Human Demos)
28. Secret Face (Instrumental-Human Demos)
29. Vacant Planets (Instrumental-Human Demos)

Disc 3:

30. See Through Dreams w/ Paul and Sean ( Rehearsal January, 1991)
31. See Through Dreams (Take 2) w/ Paul and Sean (Rehearsal January, 1991)
32. Secret Face - w/o Paul - 1/2 song (Rehearsal January, 1991)
33. Secret Face (Take 2) - w/o Paul (Rehearsal January, 1991)
34. Secret Face - Riffs (Rehearsal January, 1991)
35. Flattening Of Emotions - Riffs (Rehearsal January, 1991)
36. Lack Of Comprehension - Riffs (Rehearsal January, 1991)
37. Lack Of Comprehension (Take 2) - Riffs (Rehearsal January, 1991)
38. Cosmic Sea - Riffs w/ Drum Machine (Rehearsal January, 1991)
39. See Through Dreams (Rehearsal August, 1990)
40. Suicide Machine (Rehearsal August, 1990)
41. Together As One (Rehearsal August, 1990)
42. Suicide Machine (Drum & Bass Tracks)
43. Together As One (Drum & Bass Tracks)
44. Secret Face (Drum & Bass Tracks)
45. Lack Of Comprehension (Drum & Bass Tracks)
46. Vacant Planets (Drum & Bass Tracks)
47. Flattening Of Emotions (Drum & Bass Tracks)
48. See Through Dreams (Drum & Bass Tracks)
49. Cosmic Sea (Drum & Bass Tracks)

"DEATH, the heavy metal institution founded, realized, and helmed by legendary guitarist Chuck Schuldiner, released its legendary fourth studio album Human (’91) to massive worldwide critical acclaim. The album’s complex and progressive music and introspective lyrics marked a massive stylistic change away from the more primitive early material for the group, and Human went on to become one of the most influential metal records in the history of the genre.

Now remixed under the watchful eye of longtime DEATH producer Jim Morris, Human 2011 represents the fully-realized version of this epic album. Now remixed, remastered, repackaged and featuring over an hour of newly unearthed and previously unreleased early demo tracks, Human 2011 is the definitive edition of this true metal classic."

NOTE: A re-mastered version of DEATH’s “Lack Of Comprehension”, taken from the forthcoming re-issue of Human, has been posted online now via the official DEATH Facebook page.

sexta-feira, 13 de maio de 2011

Empty Words News: Human Album and Chuck's 44th Birthday

Scott, Sean, Chuck and Paul - Human Era


DEATH’s Legendary Human Album To Be Re-Issued

DEATH’s legendary fourth album Human will mark its 20th anniversary with an official re-issue on June 21st in North America (June 27th internationally) via Relapse Records.

Human has been entirely re-mixed by longtime DEATH producer Jim Morris and re-mastered by Alan Douches (MASTODON, CONVERGE, THE MISFITS). This special 20th anniversary edition of the album will come complete with expanded packaging featuring liner notes from Morris as well as former DEATH / current CYNIC guitarist Paul Masvidal and over an hour of newly unearthed, previously unreleased early demo tracks.

Human will be available on 2- and 3- disc sets as well as digitally. CD pre-orders are being accepted now at this location, digitally via iTunes, and additional release information will be posted shortly.

Additionally, original footage of DEATH during the May 1991 mixing sessions of Human has been posted online now at this location. This footage was filmed 20 years ago to the day at Morrisound studios in Tampa, FL.


Interviews With Richard Christy & Perry Grayson To Celebrate Chuck's 44th Birthday

For May 13th, 2011, Chuck's 44th birthday, we have an interview with Richard from Sick Drummer Magazine, and a radio interview with guitarist, journalist, and EW's contributor Perry Grayson. You can download the interview from Freethought Radio here.

As previously reported, the "Chuck Schuldiner Birthday Bash" will take place in Canada on friday. Let's celebrate the 44th birthday of Chuck with a night of DEATH & metal music, with all profits going to the Sweet Relief Musicians Fund. Eric Greif: "Open your wallets now, folks, because I'm-a askin'. PLEASE buy a $7 ticket, whether you're going or not - SWEET RELIEF MUSICIANS FUND is an important US charity that aids musicians ill with no health insurance coverage".

And last but not least: the official DEATH fan club, The Metal Crusade, is finally getting off the ground. The launch will be one of these days. Enjoy and stay tuned! More soon!


More about Chuck's Memorial Day? CLICK HERE!

sexta-feira, 29 de abril de 2011

Looking Back: Guitar School Fuzz Box

Death's Chuck Schuldiner: battery acid bludgeon

From Empty Words
Magazine: Guitar School / USA
Article: Fuzz Box
Written by: Jeff Kitts
Published: April 1996


AFTER SPENDING the last 13 years fronting Death, one of the death metal's most revered and respected outfits, guitarist/singer Chuck Schuldiner has put the band on temporary hiatus to persue another full-time musical endeavor.

"After all this time, my gut is telling me to do something fresh and different," says Schuldiner. "I've actually been talking about this for several years, ever since Individual Thought Patterns came out [in 1993]. Since then, I've had this urge to do something with a more melodic singer, but along the same musical lines as Death."

The new project, called Control Denied, features B.C. Richards, a young singer formely of Florida's Wicked Ways. Schuldiner is excited that he will no longer shoulder the singing and guitar playing duties.

"When I started Death in 1983, I did not plan to be the singer; it just worked out that way." he says . "The freedom of being just a guitar player is something that's been inside of me, dying to get out, for a long time. It will enable me to be much more expressive as a guitarist."

Let the metal flow!
Schuldiner realizes that hardcore death metal fans may resist his new direction, but feels the transition will be smooth.

"The way I write is the way I write, and in that sense the new project won't be that much different from Death," he says. "The songwriting wil lcontinue in the style of Symbolic, the last Death album, but with a much more melodic and ballsy metal singer. I'm going to put the same 110% into Control Deneid that I've always put into Death.

"At some point I'll get Death back together and do another record. Hell, I've been playing that kind of music for a long tim -- it's in my blood."


Read the article here!

sexta-feira, 15 de abril de 2011

Limited DEATH Merchandise From The Vault

From: Empty Words

Jane (Chuck's mother) has some shirts to sell, listed below. You can email her (njbschuldiner@yahoo.com) to order them. Baseball shirts are $15 plus postage and the Philosopher shirt is $20 plus postage. All shirts come in sizes Medium, Large and X-Large.


Baseball-grey

Baseball-red

Philosopher front

Philosopher back

quinta-feira, 14 de abril de 2011

Looking Back: Precious Memories of Chuck Schuldiner (Final)

Chuck Schuldiner: Loyal and friend of his fans


By: Empty Words
Magazine: Metal Maniacs / USA
Article: Precious Memories of Chuck Schuldiner
Written by: Perry Grayson
Published: May 2002


Land Of No Return: The Professional

Chuck's career as a professional metal guitarist was just beginning, and before anything else could be done a first album would have to be recorded. In summer of '86, Chuck flew back to Florida with Chris with big pipe-dreams about their first album ever, far from the recording capitol of the world. It was in Florida where Chris notes Death "recorded a version of the album and it got scrapped. Then we started over again in L.A...It sounded really good at the Music Grinder."

While back in S.F. Chris and Chuck befriended neighboring thrash band Sadus, whose bassist, Steve DiGiorgio, would later record on Death's Human and Individual Thought Patterns and Control Denied's The Fragile Art of Existence. Says Steve: "They got a hold of Sadus' first demo. The phone rang one day, and the dude on the other end says, 'Hey, we're in a band called Death from Concord. We dig your demo. Do you guys wanna hang out?' So we got directions and drove out to Chris' house. We met Chuck there. We were just fresh out of high school, so we had a lot of time to kill during the day. We asked him where his band was, and he said, 'They'll be out of school in a couple of hours.' And we're like, 'School? These guys are young.' He played the Mutilation demo. His 'band' got there a little later...just Chris. 'How the hell do you guys sound like that?' So, we went in Chris' room...and they ran through songs. We figured we didn't know many bands in the area. We were always on our own, and here's a couple of guys our age doing our type of thing." Steve continues, "Back then we were young, and no one had money. Jon Allen had a drum kit that was barely hanging in there. But Chris had a nice, huge Tama set, and Jon was just blown away. Chris was like, 'But we can't practice in my house very often. And Sadus had a killer practice space. So, this deal got worked out where we loaned them our practice space if Chris would leave his drums set up so Jon could play it. That eventually led to me filling in on bass with them. Sadus would set up and go through our set. And they'd get up there...All the Sadus guys would pull up a pillow and watch us. 'Time for a break.' We'd all go jump in the pool at Darren's [Darren Travis, guitarist/vocalist of Sadus] house or something. It went like that for a few months...one band in a way. I was the common denominator. They were looking for a bass player the whole time, but no one was around."

Chuck expressed his approval of Scream Bloody Gore to Metal Forces, "Randy Burns gave us a super-heavy production...The only thing I kind of regret now is not hanging around for the final mixes. I think the rhythm guitar could have been a bit louder in the mix." Not too shabby for the 5 days Chris claims it took to track SBG. "Right after we did the LP as a two-piece," Chuck told Metal Forces, "we ran into this guitarist, John Hand, whom we really liked at the time, so we got him into the band. He played with us long enough to have his photo appear on the back of the album, but he just couldn't play our newer material, so he had to go."Steve DiGiorgio remembers the lack of Death gigs from that period, "We decided to do some shows, and just figured we'd double session it. Chris double sessioned for Desecration. We were gonna do a Desecration, Sadus, and Death show where me and Chris both double setted. But that never happened because Chuck went back to Florida and never came back." Something was making Chuck homesick. He told Metal Forces, "When I first moved to California back in late '85, the scene was just starting to flourish. There were lots of places to play, and the fan support was just overwhelming. Unfortunately, as time went by, most of the clubs closed down and the scene just sort of died out. I knew there was no way I was gonna be able to get a band together there, so I decided to go back to Florida. I told Chris he could move back down with me, but he said he didn't want to." Chuck and Chris were metal brothers, though, and Chuck wished him "good luck in the future" in his thanks list on his second album.

Scream Bloody Gore was released in May 1987. Chuck was far from taking a rock star attitude after getting signed and seeing his first album issued, telling Metal Forces that "the reaction from the fans has been just amazing...I really have to thank everybody for their great support, because it wasn't for them, we wouldn't be here right now." SBG was an extension of the over-the-top, pile-driving riffs and gory lyrics from Death's demos. The gore Chuck would outgrow, but the riffs would only become more memorable as time passed. Chuck splattered listeners with corpse-riddled tunes that had much in common with flicks like George Romero's Dead trilogy or the Italian "giallos" of Dario Argento, Lucio Fulci, and Umberto Lenzi. Horror is different from the jokingly satanic lyrics of Venom and Hellhammer. When asked about satanism in metal, Chuck told Metal Forces, "I'm not into it."

Perseverance And Moments Of Clarity

It was Florida where Chuck based himself for the rest of his career. 1988's Leprosy saw Chuck leaning toward polished productions and an inner conflict between the horror fan and the emerging philosophical, down-to-earth Chuck. Leprosy reunited Chuck briefly with Rick Rozz, who brought with him Massacre bandmates Terry Butler (bass) and Bill Andrews (drums). "Pull the Plug," in particular, became the song fans went absolutely nuts for whether in their bedrooms or a crowded club. In his own words, Chuck told us that "Pull the Plug" is about "being on a life support system and having the right to die." Chuck explained to Metal Hammer, "the lyrics are more serious and on the next album they will get even more realistic." Leprosy saw Chuck's foray into touring, on a double bill with Dark Angel. The road was-like life in general-filled with ups and downs. Ex-Dark Angel guitarist Jim Durkin informed me, despite rumors that have been spread that he "got along really well with Chuck and everyone before I left the tour and didn't look back. Chuck and I had a lot of fun hanging out and jamming. It had nothing to do with us two."

DEATH
Leprosy was the appetizer for Chuck's new direction, but Spiritual Healing (1990) was a cerebral feast-paving the way for every Death album to follow. "Living Monstrosity," in Chuck's own words, is about cocaine abuse among pregnant women, while "Altering the Future" tackles abortion. At 22, Chuck's guitar playing, songwriting skills, were reaching new heights. On Spiritual, Chuck's razor-sharp lead guitar abilities took flight-and his solos were bolstered by another young shredder, James Murphy. [Murphy too has battled cancer recently, and we wish him the best!] Chuck told Guitar Magazine, "I started practicing more and came up with the idea that, for this band to move forward musically, we'd need a cleaner approach, something real dry and in-your-face...Our rhythms also became a lot more complex..." The lineup mutiny Chuck endured when the rest of his band went off to Europe without him tested his strength, but Chuck was far from quitting. Ex-manager Eric Grief, notes: "Chuck's contention was that he did not feel the Spiritual Healing tour of Europe was adequately organized. Considering Death's previous negative European experience with the Belgian agency Metalysee (that tour being one of the worst experiences Chuck had encountered as a musician thus far), he did not want a repeat of that. He kept exclaiming that he wanted his 'next European tour to rage for the fans'. Chuck also had mounting personal issues at the time, and no manager to fall back on. Bill and Terry countered by claiming that Chuck waited until the very last minute to pull out, and they felt his apprehension was not warranted. They argued that Chuck had missed several opportunities to bring Death back to Europe and that they were sick of waiting...so they went anyway...That bold move was the end of Bill and Terry."

For Human (1991), Chuck recruited Florida-based Cynic members Paul Masvidal (guitar) and Sean Reinert (drums), and Sadus' Steve DiGiorgio (bass), which led to an injection of the technical edge Chuck had been striving for. Chuck, Paul, and Sean dug progressive metallers Watchtower, but Human still retained the signature Death sound. Chuck explained the genesis of "Suicide Machine" to Rock Hard, "In America, there's a doctor who invented a machine that can deliver sick and suffering people to death. I think it's a great invention. When somebody really is incurably ill...and it's his wish to die, then we must allow him that choice before an endless suffering takes place."

On Individual Thought Patterns (1993) Chuck furthered his sonic experimentation. Chuck hired ex-Dark Angel skinsman Gene Hoglan, King Diamond lead guitarist Andy LaRocque, and Steve DiGiorgio Speaking of his new comrades, Chuck told Metal Hammer, "One by one very gifted musicians but perfectly fitting in the musical concept of Death." Chuck told Watt, "I hope ITP lifts metal as an art form to a higher level...I don't set myself any boundaries." Chuck first voiced his intentions to evolve by finding a melodic vocalist in '93 to Guitar School: "In the future I plan to do a more melodic, straightforward metal side project with a singer in the Rob Halford style."

Symbolic (1995) was the album on which Chuck's assailed massive heights. Heavy, moody, emotional, and full of technical twists and turns. Gene Hoglan returned for Symbolic, but Steve DiGiorgio was unavailable. The second guitar spot was filled by Bobby Koelble. Symbolic was one that Chuck would continue to build on with his next two albums. "Do you remember when things seemed so eternal? / Heroes were so real... / Their magic frozen in time." The words Chuck wrote for "Symbolic" send a shiver up my spine, because I know that not only was Chuck my hero, but I know he was such a huge role model for thousands of young musicians worldwide.

Chuck and Shannon: Killer!

After coming off the road in '95, Chuck hooked up with drummer Chris Williams (Talonzfury) and began working on his new project, dubbed Control Denied. Guitarist Shannon Hamm met Chuck through Chris Williams. "We became really good friends," Shannon said. "Then Chris invited Scott [Clendenin, bass] who was also in his band. So we all came from the same place here. We did a couple of demo tapes." Among Chuck's prospects for Control Denied singers was Warrel Dane, from Symbolic tour openers Nevermore. Commitments to Nevermore prevented that, but Chuck didn't give up, though Control Denied had to be put on hold. He was only too aware that Death fans were still hungry for more. Chuck told Metal Maniacs, "I do things when I feel they're right. There was label interest in Control Denied, but I felt that the time was right to bring Death back." Another slight lineup change occurred here. Shannon explained , "That's when we started working on the Perseverance stuff...and got Richard [Christy] in on drums."

The Sound of Perseverance (1998) bludgeoned listeners with infectious heaviness from Chuck's introductory lead burst. Unaware of his fading mortality, Chuck had written "A Moment of Clarity", which tells us: "Life is like a mystery / With many clues, but with few answers / To tell us what it is that we can do / To look for messages that keep us from the truth." At the Ventura, California, Perseverance gig I hung out with Chuck for the first (and last) time. He signed my LPs and CDs, and I apologized for being such a fan-boy. But he understood. "I'm the same way," he said, "like with KISS." I spent the afternoon inside the venue, with no one around but Chuck's friend Maria Abril. It was unreal watching Chuck jam unaccompanied before everyone showed up for soundcheck. He didn't kick me out or wonder what I was doing there. As a matter of fact, he was one of the kindest musicians I've ever met!

A shocking press release was issued by Chuck in spring 1999, just after tracking for the Control Denied album, The Fragile Art of Existence, was completed. "Toward the end of our time in the studio, I started experiencing some pain in my upper neck which I initially thought was a pinched nerve or strained muscle. Having completed the recording I consulted with a chiropractor followed by a massage therapist and acupuncturist who recommended I go for an MRI...Well, I was right about the pinched nerve but unfortunately it was being caused by a brain stem tumor. "I am in my fourth week of radiation therapy with some of the most sought-after physicians in the field. I am also blessed with the immense love and support from my family and friends which is such a big part of getting through something like this. To try to put this into simple terms is obviously difficult but let me say this: it is a mind, body and soul expanding experience. The treatment has been going well and with this type of aggressive radiation the prognosis is very good. Patience is something I have learned to embrace in my fourteen years of living music and now it is time to further master the art of patience on my road to recovery. "I've always felt a personal connection between the music and the fans/friends who support it. It is that support, that goes beyond the music itself, which I appreciate with all my heart and soul."

The words sent Death fans reeling with sympathy for their ill metal comrade. Months of radiation followed, during which time The Fragile Art of Existence was released. A medical fund was organized for Chuck. He lacked insurance that would cover the enormous expenses such a volatile disease as cancer brings. Chuck's family's assets were being poured into the best care he could possibly receive. The Schuldiners encountered much friction from hospitals that were reluctant to treat Chuck without being paid up-front. "Every single dime has been for him, but Chuck would do it for me 1,000 times over, " Chuck's sister Beth told MTV News.


The Fragile Art of Existence is what Chuck had wanted the public to hear since '93. Clear production, a solid lineup, and songs loaded with themes both personal and relevant to all people. The epic direction was made more accessible by the powerful voice of Tim Aymar (Psycho Scream). The title track closes out the disc with the prophetic lines: "No time for self-pity / No time for dwelling on what should have been / But is yet to be." In "Believe" there are further messages laced with experience from Chuck's life. Chuck tells us: "If I was paid for disappointment, I would be a wealthy man / The magic lives in sincerity, in truth, behind the thoughts I choose to stand... / Awaiting discovery". Chuck told Metal Maniacs, "These are words and things I need to re-embrace-not for music, not for that outlet-I need to re-embrace key words for a new survival...Life is fragile."
Chuck Schuldiner: On the top

Just before Chuck underwent surgery, MTV News covered his story online on the web. Family, friends, and fans braced themselves as Chuck entered the hospital. Chuck made another statement to the metal community following his successful surgery: "I am alive and letting the metal flow! I just finished writing the last song for the new Control Denied album...100% trend free. The responses to The Fragile Art of Existence have been really awesome. Thank you for embracing it! I also want to thank everyone around the world for the incredible support you have shown me. I read the emails and the letters and appreciate your kind words and honesty...I'm settling down here in Florida, feeling good and looking forward to getting busy again with the new record and tour to thank all my metal brothers and sisters in person with some new metal...Shazaamm!"

Recovery went awry, even though we had hoped with all our metal hearts that Chuck would defeat cancer and continue to astound us with new slabs of raging metal. It was spring 2001 when Chuck fell more gravely ill. Maria Abril, who worked for nearly every label Death & Control Denied have been on was Chuck's friend from her days at Relativity Records. She spearheaded online auctions on Chuck's behalf. The donations and love flowed from the metal community, but all the money in the world can't erase the horrible side effects of experimental chemotherapy drugs and the gruesome killer known as cancer.

By November 2001 Chuck's condition seemed to have improved somewhat. He even emailed Emptywords.org, the official Death & Control Denied website, something he rarely did. Only weeks later Chuck was hospitalized again with pneumonia-his mother constantly at his side. Those who knew feared each day that we would lose Chuck. The news we all dreaded came, when Yvonne Kluitman from Emptywords tearfully informed us that Chuck had passed away on the afternoon of Thursday, December 13, about an hour after returning home from the hospital.

Chuck was human-and enjoyed simple things like his dogs and cats ("The Guys"), canoeing, collecting records, and cooking. Chuck, a humane soul who was especially fond of his pets, rescued his dog Heidi when she was a puppy from the horrid fate of being trapped in a bag and left to die in a dumpster. Never one to shrink from popularity with metal fans and the intricacies such fame brought with it, Chuck told Guitar World, "I'm proud that I've never had a drug problem or complained that success sucks and shot myself like Kurt Cobain. Sorry, but success is something people like me dream about." When it came to Chuck's concept of metal, he was uncompromising. Ex-Death guitarist Matt Olivo told me shortly before Chuck's death, "He doesn't have one dishonest bone in his body when it comes to his own music. He has to do his own thing." Chuck's old manager, Eric Greif explained how Chuck stared misery in the face, and slayed it with optimism: "One particular moment will live on in my brain forever: we were travelling somewhere in snowy Sweden... the only guys still awake, having a deep conversation about our lives, our futures, and the band. I was quite down at the way things were going. He put his arm on my shoulder and pointed at the stars that were shining clearly. He said I had nothing to fear-that fate would lead the way and that things would turn out as they were meant to. Chuck was like that-there were moments of sheer depth, honesty and conviction...."

As for me, I can only say that I feel fortunate to have known Chuck Schuldiner, a true heavy metal hero, even for a brief time. We won't forget you, Chuck, and perhaps we'll meet again on the tour bus to infinity...


READ THE PART I HERE!

Looking Back: Precious Memories of Chuck Schuldiner (Part I)

Charles Michael 'Chuck' Schuldiner

"Life ends so fast, so take your chance, and make it last." - "Pull the Plug"
By: Empty Words
Magazine: Metal Maniacs / USA
Article: Precious Memories of Chuck Schuldiner
Written by: Perry Grayson
Published: May 2002


A retrospective on Chuck Schuldiner (Death & Control Denied) has been long overdue. Unfortunately Chuck will not be around to read these words. Chuck was 34 when he passed away on Thursday, December 13, 2001, after a long bout with brain stem cancer. It was a sad day for metal. I'd been researching and writing this piece for months when the news came. Chuck's suffering is over, but his memory remains bright. In '96 I penned a Death article for my zine Yawning Vortex to spread the word about Chuck's new project, Control Denied. My services seemed imperative again when Chuck was diagnosed with cancer in '99. I'd intended this to be a retrospective, not a memorial.

Reconstructing history without Chuck's participation is something I was forced into. Chuck had been ill for over two years when I first started this article. He and I last spoke on a tour bus in December '98. The love Chuck had for his fans is mutual. The fans' support proves some metalheads are indeed sensitive individuals. Sorrow for the loss of our hero is overwhelming. We wish he could have pulled through, but find solace in the 8 albums of uncompromising metal Chuck forged. Chuck's lyrics to "Suicide Machine" tell us "How easy it is to deny the pain of someone else's suffering," but we cannot overlook Chuck's musical contributions or his endurance in fighting his illness.

The Birth of Death

The energetic metal axeman and gravel-throated vocalist didn't always have 8 studio albums under his belt. He was born Charles Schuldiner on May 13, 1967 in Long Island, New York, the son of Mal and Jane Schuldiner. Chuck's began a long way from the famous Whisky in Hollywood or the Dutch Dynamo Open Air Festival. In the quiet Orlando, Florida suburb of Altamonte Springs Chuck spent most of his life. It was late 1983, according to metal journalist Borivoj Krgin, when Chuck was joined by guitarist Rick Rozz (a.k.a. Frederick DeLillo) and drummer/vocalist Barney "Kam" Lee to form the Mantas, the precursor to Death. The primitive metal birth pangs for Chuck & Co. were filled with an urge to shock audiences, fueled by bravado and clashing personalities. Par for the course for teenage kids forming a band, much less one of the heaviest metal acts on Earth!

Chuck enjoyed recalling simpler times. He told Guitar School, "When I first started the band, I'd only been playing guitar for six or seven months-I couldn't even play a lead. My main goal was to bash out the most brutal riffs ever with the most brutal guitar sound ever, but I always had an urge to become a better guitarist. Though things were very crude back then, I still had a vision of becoming a very musical death metal band. I knew it would take time to get to that point, and I worked hard to get there." Complexity must evolve from something. Chuck pointed out to Ill Literature that it was "Rick, Kam and myself-we didn't even have a bass player. Reflecting on his youth, Chuck told RIP's Jon Sutherland, "If you listen to my early demos, you can hear the Venom influence." In a chat with Metal Mania video show, Chuck cited Kiss, Anvil, Mercyful Fate, Exciter, Raven, Slayer, Hellhammer, Celtic Frost as "early stuff I feel lucky to have been a part of." Voices from the Darkside recently interviewed Kam Lee online. "It was during high school," said Kam. "I was starting to get into darker metal like Venom, Hellhammer, and Mercyful Fate. I'd bring the albums to show classmates and watch them get spooked 'cause the stuff was so dark ...This caught the attention of Rick [Rozz]...Then Rick asked me if I would try out as a drummer...Later that week Rick contacted Chuck, and everything from that point is history!"

"History" leaves much to fill in. Borivoj Krgin pointed out "they had a bassist for one very rough recording (pre-Death by Metal), but it was certainly no one that was in the band long enough to qualify as a 'member.'" Mantas' first official demo Death by Metal (Summer '84) had a homegrown cover with a picture of Chuck, Kam, and Rick in front of a sign bearing the words "Danger, High Voltage." DBM's original track list was "Legion of Doom," "Mantas," "Power of Darkness," "Evil Dead," and "Death by Metal." Kam told Voices from the Darkside, "It was recorded in Chuck's parent's garage...and 'Power of Darkness' was always on it...Chuck did the vocals on that one..."

Mantas' first gig supposedly occurred on August 1, 1984, but trouble was brewing. Borivoj's liner notes to the Death reissue CDs explains that "lack of local support for the band's music was at least partly to blame for the constant internal turmoil within the group and Mantas' eventual break-up in late 1984...Within weeks, however, Chuck reconciled with Rozz and Lee..." Chuck told Metal Mania, "I wanted to reform a new band with a new lineup called Death. I unfortunately had to resort to my old members..." The bass-less Death by Metal was then "reissued" with a black cover adorned with skulls and an inverted cross. Listening to early Mantas & Death tapes, one notices Kam and Chuck vying for vocals. Chuck screams "Power of Darkness"-and on "Beyond the Unholy Grave" both duel on grunts and screeches. "He'd get tired after a while, so I picked up the vocal duties. First I tried to sing in a normal voice, but that didn't work, so I went for the more brutal approach," Chuck reminisced to Guitar School. Death concentrated mostly on rehearsal tapes to make the rounds in the underground.

The Chuck/Rick/Kam lineup only played a few shows-as Kam put it, "covered in blood and gore...black makeup around the eyes and stuff!" Hirax singer Katon DePena contacted Chuck in the early days of the metal underground: "He was young at the time but already showed signs of becoming one of the elite in the underground. He was very into Hirax. He had all our demos. Chuck sent us the rehearsals because he wanted to see what we thought about his band. We thought they were great and encouraged him to keep making tapes...I have some favorite demos and that's in there with all of them. Fuckin' great...just complete raw metal." Borivoj recalls first hearing about Mantas "at the Metallica/Anthrax/Raven gig at the Roseland in New York City back in August 1984. I happened to see a flyer of theirs...put up by two guys, Mark [Conrad] and John [Gross], who used to do a fanzine called Guillotine in Florida...it contained a phrase along the lines of 'heaviest' or 'sickest', which caught my attention. So I wrote to the address on the flyer...included cash for the cassette, and got a letter backfrom Chuck a few days later along with a copy of the Death by Metal demo."

Death's second official demo was October 1984's Reign of Terror, which Borivoj divulges "was never actually mixed-and cost a whopping $80 to record!" Death gigged at Ruby's Pub in Brandon, Florida, on November 9th and December 30th. The latter show was taped by John and Mark from Guillotine and sold as the only official live recording. Rick was out of the band soon after. The 3-song Infernal Death demo appeared in March of '85. Several more rehearsal tunes were committed to tape by Chuck and Kam when Scott Carlson (bass) and Matt Olivo (guitar) of Flint, Michigan's Genocide relocated to Florida in May to join Death.

Terry Butler, Bill Andrews, Chuck, James Murphy

 Scott was the first to contact Chuck: "I mailed him a copy of our demo...I read about them, and they sounded so close in spirit to what we were doing...I sent Chuck a tape after reading about him in Guillotine. Matt and I were a musical concept without a drummer or a second guitarist. And Chuck and Kam were without a bassist or second guitarist. It sort of made sense to merge. We packed all of our stuff into one Chevy Malibu and drove straight down there. 24 hours straight till we knocked on Chuck's front door." Practices took place in the Schuldiner's garage. Matt recalls, "It was probably an average of a 110 degrees in there, but we loved it. It was intense and so much fun. Because we already knew the songs. There were never any lulls in rehearsals." Scott remembers the only sour point: "At first it was bliss. We found a kindred spirit in Chuck and John and Mark from Guillotine. But Kam was going through personal problems, and he wasn't really able to fully able to commit to the band. We were so young and naive that we just saw it as him being a wimp or a poser...It was just at the time that we were mad at Kam, but in the big picture I understand his position. I don't have anything bad to say about him. I've hung out with him since and had fun. The death metal world ended up a being a better place because of it. You got Massacre, Death, and Repulsion out of it." Matt focused on memorable times: "We had so much fun and talked for so long about playing death metal. We would sneak into this drive-in theater and watch the same movie every night just to get out. It was just the time-of-your-life type of thing. It was contrasted by the situation with Kam. That was the only thing stopping us from going to the moon."

Matt and Scott paint a picture of Chuck, plugging away at a fast food job to accumulate equipment. "Here was Chuck from Death," Matt explained, "the coolest up and coming metal band, and he's wearing a Del Taco uniform with his hair pulled up." He may have worked his ass off, but, as Matt noted, "Chuck always had great support from his parents. He was never out in the cold with his metal." Jane and Mal Schuldiner were supportive of their son and his band. Scott relishes their time living at the Schuldiner house: "Chuck's mom was too sweet to deny us. She made dinner for us every night. She was an angel. Chuck's dad was always cool. They never gave him grief about anything...except like taking out the trash... when it came to Chuck's future they never stepped in and made decisions for him." "We had talked to someone at Combat that said 'make a demo and you've got a deal,'" said Scott. "Matt and I went down the mall where Kam hung out to talk him into coming back to the band. He was totally against it. That's when we knew...we weren't gonna get anywhere. We decided to go back home and regroup. And Chuck went and started his adventure. "We were all young.... When we left we didn't really know how to talk to Chuck about it. We knew it was gonna bum him out. Instead we talked to his mom, and she talked to him about it first." San Francisco was on Chuck's horizon Chuck and Repulsion awaited Matt and Scott. "He just wished us all the luck in the world and we did the same for him," Scott said.

Big Chuck lives!
By September, Chuck's relocation to San Francisco was in motion. He teaming up with ex-D.R.I. drummer Eric Brecht and a bassist also named Eric. This lineup recorded the lightning fast rehearsal demo dubbed Back from the Dead by fans. It was also during this first jaunt to San Francisco that Chuck, now handling all the vocals, stepped foot on stage again. Borivoj Krgin maintains "they had this idea to make Death the fastest and heaviest band in the world, which Chuck quickly grew tired of-unsurprisingly. Eventually, he went back to doing what he did best-playing super-heavy riffs at varying speeds, always concentrating first and foremost on crushing brutality rather than speed." This lack of dynamics eventually led to Chuck's return to Florida by December of '85. A quote from the German zine Deathfuck unravels Chuck's brief trip to Toronto, Canada, in January '86 to join death/thrash band Slaughter. "It's unbelievable...Evil Chuck, who just joined Slaughter in early January, left 'em again in the same month! Official news from Slaughter headquarters tell that Chuckie baby had to leave 'em coz of a total lack of band dedication..." It was Slaughter bassist Terry Sadler who, years later, explained perhaps the biggest reason for Chuck's hasty departure to Snakepit's Laurent Ramadier in 2001: "He lived in my parents' basement with me for a while and my parents had no idea. They found out and the shit hit the fan. They wanted him and me out! I think Chuck overheard our fighting and took off...We had no bad feelings towards Chuck...but rumors started flowing...We now wish Chuck the best of luck with his health, and we're not kids anymore slagging each other!"

Chuck wasted no time in heading out west again after his return to Florida. Chuck hooked up with drummer Chris Reifert on his second San Francisco jaunt. Chris revealed that he met Chuck before any big formal advertising could be done for musicians. "Early in the year. I heard he was looking for members out here. I already knew about the group...I was pretty excited...I got the gig. He was going to put an ad on the radio on a local station. A friend of mine told me about it before it even got aired. I got the phone number." Chris furiously pounded the skins behind Chuck's whirlwind guitars and acidic vocals as early as a two song rehearsal tape from late March '86. Chuck's bond with Chris Reifert was the defining point for improvement in Death's seedling sound. Chieko Redmer, then a young metal fan, met Chuck at Ruthie's Inn in '86: "I could barely even walk straight. I remember that he was standing against the wall inside, and I ploughed right into him-almost knocking him down! I didn't know who he was, but he helped me up and saw that I was very sick! I remember telling him I was about to puke. He was so nice that he escorted me outside so I could throw up in the planter! This was a pretty nice thing to do for a total stranger, not to mention it being embarrassing for me! He was a total gentleman. He presented me with a business card with the slogan 'Corpse Grinding Metal' on it! Very suave! We started hanging out after that, and I met Chris. They would practice at Chris' house in Concord. I'd go over there to watch...I never forgot how funny Chuck is! His wacky personality and silly sense of humor... He would say these goofy things back then like 'understand rubberband?' and 'know what I mean, jellybean?' Those days were great times...No responsibilities. It was a bummer when Chuck went back to Florida, but...Chuck never seemed to lose his humbleness even though he got famous."

Death
In April, Chuck and Chris quickly followed up Combat's request for a pro demo with Mutilation, the most polished of the early Death recordings. According to Bernard Doe of Metal Forces, Mutilation was made with "Chuck also playing bass." Doe conceded Mutilation was "the band's best recording to date; both in terms of material and production." The underground and Combat Records were in agreement about Mutilation. Despite the fact that the band was still only a duo, Combat signed them up to a five-album deal.

quarta-feira, 6 de abril de 2011

Looking back: "The Chemistry of Death"

Death live: By Perry Grayson

From: Empty Words
Webzine: Hellfrost / USA
Article: Death
Written by: unknown
Published: April 1995


DEATH shifted gears hard in '95 when they released their sixth studio album Symbolic. The one before it, 1993's masterpiece Individual Thought Patterns (which featured legendary King Diamond guitarist Andy LaRocque) was a maelstrom of explosive, technical death metal, while Symbolic introduced a progressive element to Chuck Schuldiner's signature guitar sound with a more "traditional" slant. I spoke to the man behind Death in April 1995.


How would say Symbolic is different from Individual Thought Patterns?

Chuck: Individual... has a lot of depth to it, a lot of weird twists and turns. Symbolic isn't far off in that respect, although it concentrates on grooves more. The rhythms don't all fly past you at breakneck speed, definitely. Another thing, the production is far superior. A little more solid, more rounded.

Would you say the guitar sound is the same as on the past few albums?

Chuck: I would say it's much more clear, more audible and in your face. I use the same amp, but our new producer Jim Morris really helped bring out my guitar sound for what it is, what you hear is what's coming out of my amp. I wanted to achieve a guitar sound that is more "real". Not as distorted, but still heavy.

Did you set out to make a fast album, or more mid-tempo, or more melodic, or did it all just fall into place?

Chuck: It just came out that way. I think it's important to have a balance between all the elements that you just mentioned. It's definitely a natural thing, nothing is ever forced.

So within the chemistry of Death, there's never a "game plan", just free-flow?

Chuck: Exactly.

The albums Human and Individual Thought Patterns deal with a lot of psychological type themes, is Symbolic the same in the lyrical sense?

Chuck Schuldiner: Death
Chuck: Definitely. Very realistic, you know, just pure reality. To me reality and life in general are very intense, and challenging. The new lyrics reflect life in it's true form.

I notice that the lengths of the songs are a bit longer this time around, how did the idea to make longer songs come about?

Chuck: That was semi-planned. Like with the last song "Perennial Quest" I knew it was going to be long, like a journey. I didn't want the songs to be like 'they're here and gone'. The title track as well, you know I couldn't see that one being a three minute song.

Would you agree, but not to get too into labels or whatever, that Death is more of a progressive metal band than say a death metal band now?

Chuck: (pauses) I personally I like to call Death a "multi metal band"...I have a lot of inspiration in those confines. I was inspired a lot by the original death metal bands, like Venom and Slayer and Mercyful Fate... but also in the more melodic 80's metal like Maiden and Priest... those are all still influences you can hear in my playing, even though some aspects have changed a little.

Albums like Leprosy and Spiritual Healing broke a lot of ground in the underground scene. Do you think the new one will do the same?

Chuck: I hope so. I hope Symbolic is symbolic of what's to come, you know, as far as advancing and breaking new ground, just making people turn around and go 'whoa!' and make them think.

Although it has its fast moments, Symbolic isn't really as fast as some of the past albums. Do you think there will ever be a Death album in the future that's primarily focused on speedcore riffs?

Chuck: Never anything that's all-out fast, no. To me that would be doing the same thing over again, you know? I think speed can be very effective when it's done in sections, not just a whole record of it... one of the problems with the scene is that everybody's haulin' ass, you know? Speed has definitely been taken care of, by a lot of different bands. We'll still keep it, but we'll try new things along the way.

How is the Florida scene right now?

Chuck: It's going through changes, especially the death metal scene in general. The labels stopped signing a lot of the heavier stuff (Tampa bands). In Orlando there's actually a good variety of metal bands, like death, grind, melodic, alternative, thrash... in life it's important to have variety, I've believed that since day one.

Are you familiar with some of the new European death metal bands? Many of them are using a lot more melody and different riffing and vocal styles. Some people say the death metal scene is dying, but if you look around there's actually plenty of variety.

Chuck: Right. I haven't heard many of those bands (from Europe) but I know what you're saying. Carcass is a good band from over there that mixes in a lot of melody, and roots. The last album by them is fucking killer!

That would make a cool show.

Chuck and his fan
Chuck: Oh yeah, we'd definitely like to tour with Carcass again! Another band I'd like to go out with is Grip Inc., Dave Lomardo's new band.

Would you ever tour with a band like Pantera?

Chuck: Oh yeah, definitely. Those are hard tours to get on, though, because everybody else wants to tour with them! I'd love to tour with someone else who have something else to offer.

I notice on the new album, your vocals are easier to understand. How do you approach that, while still sounding somewhat guttural, and how does your singing differ from other death metal bands?

Chuck: For one thing, they cup the microphone with their mouth and hands, and that's creating heaviness out of distortion, which is cheating. I really try to project what you hear naturally. With this album, I tried a lot harder to get a clean mix. I don't use any effects whatsoever, just my stomach and lungs.

Do you think O.J. did it?

Chuck: Judge not-without judgment. I can't say, until the final evidence comes through.

What's your favorite beer?

Chuck: Moosehead, Killian's Red, Heineken, mainly those three.

Do you eat at Taco Bell?

Chuck: (makes a mock-vomit noise) Man, I protest that place. The last time I ate there I felt like shit! (laughs) Taco Hell!

(laughs)Well take it easy, man. I hope everything goes well for the band.

Chuck: Great, thanks a lot! When we come by on tour, stop up and drink a brew with us!


READ THE ARTICLE HERE!

terça-feira, 22 de março de 2011

Looking back: Faces of Death

Death: Believing in Death Metal


Magazine: Heavy Oder Was!? / Germany
Article: Gesichter Des Todes
Written by: Kai Becker
Published: May/June 1995


WITH ALL THE TROUBLES WITHIN THE BAND, AS WELL AS THE GERMAN PRESS, IT WASN'T EASY FOR CHUCK SCHULDINER & CO. TO REPAIR THEIR SHATTERED REPUTATION. DUE TO SEVERAL TOUR CANCELATIONS, THEY HAD LOST THEIR CREDIBILITY. FINALLY CHUCK DECIDED TO LET THE MUSIC SPEAK FOR ITSELF, WHICH IS SOMETHING OF WHICH DEATH IS VERY CAPABLE. WITH THEIR LAST DISC "SYMBOLIC" THEY HAVE AN ABSOLUTELY KILLER CD, FULL OF DEAFENING NOISE. I TALKED WITH CHUCK SCHULDINER, A MAN WHO KNOWS WHAT HE'S TALKING ABOUT.


There’s a certain magazine that can’t really be seen as good friends of Chuck Schuldiner nowadays.

Chuck - “How do you know?”

Well, I followed that whole history closely and read all the articles about it.

Chuck - “Do they still write about that?”

No, the subject seems to have been dropped around a year ago. Since then I haven't read anything about your battle.

Chuck - “Yeah, they write very nice things about me every year. Those guys have a problem. They don’t know how to be professionals in their business. They rather choose to make fun of people instead of writing about the music. It’s about time they get a grip on their problem. I don’t like those methods at all and therefore I’d rather talk with people who are interested in my music. After all, I’m a musician playing in a band.”

Sounds reasonable. I just wanted to ask because I didn’t have any problems with you in the previous interviews and I actually remember you as nice to get on with and a decent conversation partner.

Chuck - “I only have problems with people who make problems for me. I like talking about music, the band and all that goes with it. That should be the content of an interview. Nevertheless, it’s not clear to some magazines. In the States there are also some, as I would like to call them, “black sheep” that only want to publish dirt about bands, far from the truth. Those things unfortunately happen from time to time. In America there’s one magazine I do have problems with. The case is, that you have to learn to deal with those people. I try to avoid them completely and not do interviews with them. I don’t want to talk about shit with them.”

I can imagine you still have hard feelings towards this magazine.

Chuck -“I don’t even think about this magazine anymore, as long as nobody comes close to me. They hopefully live their own lives. I don’t respect human beings who want to make a mug out of me, or try to drag my name and band through the mud. My life means very much to me, after all I only have one. My obvious goal is to play music for life. Whenever someone tries to meddle with it, I have a problem with it. I always thought magazines were supposed to support bands, take them by the hand. They might have a problem, but I’m not a part of it. I’m here because of the music and I hope to be able to enchant listeners. As a fan I would certainly not be pleased when a magazine published shit about my favorite band. I would boycot them immidiately.”

Do you think that after all the annoyance about the cancelled tours and the stress with the magazine, that the reputation of Death was affected by it?

Chuck - “No, but it did affect the image of certain other people. I put my name back into the real light again. I don’t care very much about the press, because the fans are in power. Actually the magazines should be run by fans, but unfortunately they’re not in reality. They are being published too often by people who abuse the power of the press all too eagerly. It isn't often that I have problems with the press though. And if it happens I avoid them and concentrate on my music. When I would play along with them, I would be the same. Are you good friends with them? You seem to be very curious.”

Chuck & Death: The Big Guys


Yeah, that’s part of my job. I just try to understand both sides and to maybe give you the opportunity to straighten some things out.

Chuck - “There’s no other side. They are slanderous, which is not a magazine characteristic that is to be praised. As a fan you don’t joke around with a band, if you do, you’re not a fan but an authoritarian asswhipe. I don’t like that at all. My life will go on without this piece of paper. I owe them nothing and they owe me nothing. We both can live perfectly without each other. I only have problems with those who make problems for me. That’s why it’s so important for me to be a musician. Music is my way to express myself. I often wonder who raised those people. However, I don’t want to start a war between us. They live their lives, I live mine. There are dozens of other bands that they can write about.”

Do you believe that the press is too powerful?

Chuck - “No way! It’s known that the press has a certain power. It’s just that some don’t know how to handle that power professionaly. You can either use or abuse power. No matter whether you write for a magazine or you’re the owner of a restaurant. The way you relate to people is decisive. I try to respect people and I don’t hurt them. That should always be the way. It would be woeful if some day a magazine came on the market that would only make fun of all the other magazines. That would be completely crazy. I’m a musician and not a part of a soap opera. It’s easy, too easy to judge others. It takes more strength to create than to criticize. Unfortunately too many people only criticize instead of creating something new. We, as a band, created a new album this year. I don’t know what others did, but we can subscribe an absolute killer album with “Symbolic” to our account. Therefore I’m very, very happy and satisfied. I can tell by all the letters we get that our fans are behind us and believe in DEATH. We have a very personal thread to our fans and they know it. We answer all letters, we’re not assuming the airs of a rockstar. I still visit concerts, buy albums and t-shirts. I didn’t change, yet in the meantime I’m in the middle of a complex business.”

Did you notice some loss of your reputation on both European tours after the release of “Individual Thought Patterns”, or were your fans loyal.

Chuck - “In any case they were, more as ever before. When the press came on to me, it was proved to me how loyal the fans really are and how little power the press has to influence the minds of the fans. As I told before, I read a lot of fanmail, as much as I can. I often write back and therefore I know what they think and they know from my lyrics what I think. The fans know that we’re very common. After the shows they can talk with us. I really like to give interviews, because a lot of press guys still are fans. That’s how it should be. To me, only the fans are important. The writers are behind their desks, receiving dozens of CD’s for free. I know how it goes. They get it all for free and criticize whether they like it or not. I don’t need that…”

Despite of all the annoyance, the bands reputation seems to be established. Having its origins in the awesome live shows and the brilliant songs. You can say that despite all criticism DEATH came out stronger, more mature and grew as a band.

Chuck - "I can relate to that opinion 100%. People can do whatever they want, to damage my name, but they don’t stand a chance, because I know the truth. So do our fans, they alertly read our lyrics and listen to our music. I don’t mind to take up a challenge. It hasn’t always been easy to bounce back from all the shit that is to be read for two years already in press country. I know that the fans are behind the person Chuck Schuldiner 100%. I have their letters at home proving that. That motivates me to continue with the band.”

The question rises how Chuck would describe himself. What kind of human being he is to his opinion.

Chuck Schuldiner
Chuck - “I’m probably just like everybody else, liking the simple things of life. I love my dogs and cats, I like to go to the beach, I like to spend time in the country, barbecueing with friends. I like all that others probably like as well.”

When you shut your eyes for a moment and think about your past, what do you see?

Chuck - “I see many highs and lows. People who try to bring my life out of order and people who choose to stand by me. I know that the latter know how much I appreciate their support. Besides I see a lot of people I don’t consider my friends after 12 years of DEATH. On the other hand I always had the opportunity to make new friends. Although my experiences certainly strengthened me, I still stayed a vulnerable person, after all life is quite often painfull, like with all the shit that was written about DEATH. I know for sure that DEATH will release other albums, no matter what is being written about our band. Who cares about the writings anyway? The fans are far more important, and there will always be DEATH fans. When they hear the next DEATH album they will know we’ve kept our promise. We will always be a metal band and never play grunge or anything like that. We’re musicians and honest guys and that’s certainly to be heard on “Symbolic”, because the music is straight from the heart.”

As you said before, DEATH as a band has already existed 12 years. It can be said that back then DEATH was one of the founders of a new music style. These years things have changed. A few years ago there was the glorious death metal scene in Tampa/Florida. That disappeared like snow in summer.

Chuck - “The scene shrinks and shrinks. It’s cool that so many bands hooked up in this scene, but most of them unfortunately sounded similar. As soon as there is too much, the quality of the scene is endangered. Some bands split up, others go on. Those who continue aren’t afraid to try and walk new paths. That’s exactly what we’re trying to do. Try to change all the time. At the moment the scene is going through a major change and I hope traditional metal will revive soon. Because that’s where my roots are: VENOM, MERCYFUL FATE, IRON MAIDEN, JUDAS PRIEST, METALLICA, SLAYER, KISS, POSSESSED, ANVIL, EXCITER, ANTHRAX. The first ANTHRAX album was heavenly, a real killer disc. I still like to listen to those old records these days, because they can still inspire me. This music still came out of the heart. From traditional metal other styles arose.”

Did you ever had a chance to be on stage with one of your favorite bands.

Chuck - “Once I had the opportunity to play in a show with ANVIL. Meeting those guys was a great honor for me. It was a very good feeling to share the stage with one of the bands that influenced me. By the way, the name NASTY SAVAGE occures to me, they are from around here. We could open some shows for them in the early 80’s. I remember I totally freaked when I heard about it. For that matter I really like to look back on those old days, because things were more simple then. It was about music and not about things around the music. People were so excited that there wasn’t even time to write rubbish. Everybody was so fascinated about the new EXCITER disc, that it wouldn’t even occur to say: hey, did you hear already, what an idiot this guy from EXCITER is? Noone cared about it as long as his band made good music.”

And good music with DEATH anno 1995 is big, very big. On “Symbolic” Chuck was supported once more by drum God Gene Hoglan and newbees Bobby Koelble (guitar) and Kelly Conlon (bass). They replaced Steve DiGiorgio (ex-Sadus) and Andy LaRocque (KING DIAMOND).

Chuck - “Steve’s wife had a baby and he wandered more and more from metal. It was foreseen he would leave the band. We had a great time with him and we completely understand his position. In his place came Kelly, from Orlando and a killer bassist. He’s a very positive and easy-going person. Andy had to go back to his job with KING DIAMOND again, obviously I had to go search for a replacement for him also. I wanted to sign on Bobby, who I once met at high school. I asked some of his friends for his number and got Kelly’s number as well. The two already knew each other which made it easier and accelerated things. Besides we are all of the same age, around 26/27 years old and we have the attitude DEATH needs.”

Chuck can’t suppress to sound a thousand praises of his fellow musicians and the new producer Jim Morris, co-owner of Morrisound Studios in Tampa. I remember the previous interview when Chuck promised to work again with Scott Burns. After all, he was like the fifth band member.

Chuck - “Scott unfortunately wasn’t available because he was working with some other bands in the studio. Jim was the only reasonable alternative. He liked the idea and agreed to work with us. He had the experience to support us in our strive after recording an as natural sounding album as possible. I think considering the production the difference compared to our former albums is obvious.”

Schuldiner lives: The masterpiece


“Symbolic” is the perfect mix of brutal songs like DEATH just knocked them off in the early years and the more technical, progressive tracks like on the two previous albums “Human” and “Individual Thought Patterns”.

Chuck - “I heard that more. I knew this album would be very special. I wrote the songs together with Gene, even before Kelly and Bobby joined the band. We were sitting at my house taping the songs on an 8-track recorder. We pottered the songs constantly. We took enough time, we did not hurry and out came a solid album titled “Symbolic”. This working process was very important to reach such a result. I can recommend every band to get an 8-track a.s.a.p. and use the same process.”

My favorite piece on “Symbolic” is “Crystal Mountain”, yet, what are crystal mountains?

Chuck - “They are synonimous for my over critical neighbours, which this song is all about. They believe they live a perfect life in a crystal mountain. Unfortunately, I live next door to this religious fanatics, who live unwordly and certainly not in the just described mountains. I’m sorry but those people are not that different from me. They have to pay taxes also and they should not be disturbed by looks like long hair. Although it’s not religious at all my neighbours are filled with hate and judge me. In this song there’s a cross changing into a sword, symbolic for the abuse of their religion. I have nothing against religion in general, but religion should not be directed against others. In “Crystal Mountain” I expressed my hate and anger towards these people. It’s easy to see that “Symbolic” contains very personal songs, i.e. “Empty Words”, every day you say things to people that later appear to be empty. It’s easy to promise mountains of gold, yet it’s hard to keep this promise. Spoken words should have a meaning and not just be hollow phrases just being said to be said. You should think about what you want to say and you have to be sure to say what you mean. I hope people can relate to this theme because it definitely is a very personal song."


I KNOW THAT THE FANS ARE 100% BEHIND THE PERSON CHUCK SCHULDINER
(Chuck about his fans)


TO MEET THOSE GUYS WAS A GREAT HONOR FOR ME
(Chuck going crazy about ANVIL)

I ONLY HAVE PROBLEMS WITH PEOPLE WHO MAKE PROBLEMS FOR ME
(Chuck about his reputation)


I'M A MUSICIAN AND NOT A PART OF A SOAP OPERA
(Chuck contra the press)


Death TR Note: Read the article HERE!